GIANFRANCO NOTARGIACOMO

is almost a statement. I exhibited the great paintings with that title, that title which has accompanied me ever since, in the historic roman gallery of Giantomaso Liverani for the first time in 1980. Since the early 70s I have been looking for the way that would allow me to get out of the waves of conceptual art, which I considered mediated and indirect communication. I wanted a painting of impetus, a painting of gesture made by quickly entering the canvas, because it has always been like this: I thought of a painting and considered it done. The rest was just working...Storm and AssaultLa Salita,

It came naturally to me to go fast. Liverani understood this pace perfectly and so after the "" exhibition, at in '79, it was the turn of "“ in 1980.Takète o della SculturaLa SalitaTempest and Assault

Today I imagine my artworks crossing the ocean moved…